Friday, November 8, 2019
It is the generic flexibility of The Tempest that makes it such an interesting play for an audience. Essays
It is the generic flexibility of The Tempest that makes it such an interesting play for an audience. Essays It is the generic flexibility of The Tempest that makes it such an interesting play for an audience. Essay It is the generic flexibility of The Tempest that makes it such an interesting play for an audience. Essay Essay Topic: Interesting The Tempest The Tempest encompasses many genres. These include: Tragedy, Comedy and Romance. However overall The Tempest is most commonly known as a Tradgicomedy, which encompasses all these genres by having multiple plots within the play, which are then linked together to make the overall play. The plot suggests that the play is a tragedy by which there is a scene in which much destruction takes place and the themes of death and downfall are seen. However it could be seen as a comedy because there is a lot of disjunction, because it starts with the wrecking of the royal ship on the rock of an island. Commotion is a major part of this. While all this happens Miranda looks on from the island and comments on the wreckage as a brave vessel-Who had, no doubt, some noble creature in her-Dashed all to pieces! As this is the beginning of the play we can only assume that in the confusion the ship had crashed on the rocks and while doing so all aboard her had been killed. Next we find that Prospero, controller of the island, had been forcefully and to some extent unfairly sent away from his home in Milan, as he was the Duke of Milan. His brother, who is described as The ivy which had hid my princely trunk, replaced him. So from this we deduce that Prospero forced the boat to break up on the island in order to punish the Duke of Milan, the King of Naples and all the others who did not help him. The theme of the tragedy is continued with the introduction of Caliban, the slave of Prospero on the island, my slave. We find that Prospero is very violent towards him, threatening Caliban with cramps, Side-stitches that shall pen thy breath up. UrchinsThou shall be pinchedeach pinch more stinging/That bees that madeem. These violent tendencies towards Caliban help further realise the image of this play being a tragedy. In line 388 Ferdinand is first introduced to us as one of the Royal party who is lost and alone. We find he has been separated from all his other travellers. We discover that he is the Prince and the son of the King of Naples and heir to the thrown. This disheartens him and leaves him crying at his loss. He is led by Ariel towards Miranda. For Miranda this is the second man she has ever seen in her life, and describes him first as a spirit. Then when they meet falls in love with him, this is the beginning of the Romance aspect of the play. However just as Miranda and Ferdinand start to realise that they have fallen in love with each other Prospero stops them and decides to lock up Ferdinand like a prisoner, hes a traitor.-Come, Ill manacle thy neck and feet together. Sea-water shalt thou drink; they food shall be The fresh-brook mussels, withered roots, and husks, Miranda takes part in the first confrontation in order to make sure Prospero does not treat Ferdinand too harshly, she sa ys, Make not too rash a trial of him. At the start of the Second act the main body of the Royal party emerges and first to speak is Gonzalo who is very optimistic, nearly humorous, in his optimism. He says everyone should be merry because they all survived the ordeal, and it is but for a miracle that they survived. Sebastian and Antonio then tell jokes amongst themselves about Gonzalos behaviour. They continue to be quick of tongue and make comments that the audience would have found funny. ADRIAN The air breathes upon us here most sweetly. SEBASTIAN As if it had lungs, and rotten ones. GONZALO How lush and lusty the grass looks! How green! ANTONIO The ground indeed is tawny. We find that Alonso thinks that his son is dead, because he has found most of the rest of his Royal party except for his son the Prince Ferdinand. This makes him down heartened, as now he has no heir to his thrown and no son. With the loss of the heirs to the thrown Sebastian and Antonio want to overthrow the current controllers of the royal society and take charge themselves, so they begin to plot and form an idea of how to kill the King. However Gonzalo, who wakes and shouts Preserve the King! cheats them. In Act two Scene two the comedy side to the play is introduced. In this section Trinculo the jester and Stephano the drunken butler enter and come across Caliban while he is getting wood. Caliban hears the sound of thunder and hides underneath his cloak. Trinculo enters and since it is now raining he decides although he can see a pair of legs coming from under the cloak and an odd smell of fish in the air. He will hide under the cloak with Caliban. To add to this Stephano comes in. He is singing and evidently drunk. He assumes the four legs under the cloak is some sort of monster and because of his singing is in fits so to calm it he give it some of his alcohol and because Caliban has never has alcohol before it has an immediate affect on him. These three characters form the base for the humorous part of the play and have also their own separate plot to distinguish them from the other plots in the play. In Act three we go back to the Romantic part of the play, Ferdinand is working hard at his new position as a slave, and Miranda comes to visit him while he works. The mistress which I serve quickens whats dead, Prospero is not meant to know about this meeting, My father is hard at study. Pray now, rest yourself; Hes safe for these three hours. They seem to have a competition in which they compete for who can give each other the most adoring complement. What Ferdinand and Miranda do not know is that Prospero is being a kind and loving father in setting up his daughter with Ferdinand. He is fully aware of what he is doing and has control over it although it does not seem as in fact this is true. Ferdinand promises to marry Miranda and since Alonzo seemingly is dead it makes Ferdinand king. They make regeneration possibilities on such a small island and tears, a pure physical response are bared. In Act three Scene two Caliban, Stephano and Trinculo are preparing to overthrow Prospero and become the owners of the island with Caliban to help them, as he knows where everything is and where the wood is and where the water is. In scene three we find Gonzalo weakened and demoralised because he is exhausted and Alonso because he as lost his son, in this last scene Prospero enacts the punishments that he has been building up to. We find that Prospero sorts out all the characters, and there is a marriage between Miranda and Ferdinand that is settled. He also re-unites all the characters in the play and brings them all together for the final scene.
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